//todas

A carta dos movimentos

Por Compas

A CMS (Coordenação dos Movimentos Sociais) realizou no sábado (11/11) a sua 5ª Plenária, em Guararema, interior de São Paulo, na ENFF (Escola Nacional Florestan Fernandes). Abaixo, a síntese das discussões da coordenação. Carta da Coordenaçã...

India Social Forum: The fourth day

Por Compas

See all pictures by clicking here See India Social Forum 2006 - Ciranda

Children share vision of a new world

Por Compas

“YES, I ASPIRE for that kind of world. A world where people respect each other, where everyone gets justice, where there is no fear of war and everyone shares everything and lives happily. We have come to India Social Forum with a dream of such a wor...

Changer le monde, mode d’emploi

Por Compas

Chico Whitaker revient sur les relations entre pouvoir et société civile dans le changement social, à l'occasion de la sortie de son ouvrage Changer le monde, nouveau [nouveau] mode d'emploi. À quoi sert le Forum social mondial ? Chico Whitaker : D'a...

Rádio Xibé ocupa Câmara dos Vereadores de Tefé e Anatel é contactada

Por CMI-Tefé

Nesta terça, dia 7, a rádio livre Xibé 106,7FM ocupou a Câmara dos Vereadores do município amazonense de Tefé, instalando nela o seu estúdio. O objetivo foi estimular a participação presencial e em FM da população na audiência pública sobre o ...

Nepathya to perform at India Social Forum

Por Compas

Nepathya has been invited by India Social Forum to perform at the closing of this year's meet in New Delhi on the 13th of November. The Indian chapter of World Social Forum - India Social Forum is happening in New Delhi. It started on 9th and will go on t...

India Social Forum: The third day

Por Compas

See all pictures by clicking here See India Social Forum 2006 - Ciranda

Serious voices and cultural colours meld at ISF

Por Compas

COLOUR, COLOUR AND yet more colour. It seemed to be the most-dominating theme on the second day of the India Social Forum 2006. From tribal dancers of Orissa on one side to the folk songs of Jharkhand and the Punjabi theatricals on the other. The culture c...